Utilizamos cookies propias y de terceros para mejorar la experiencia de navegación y ofrecer contenidos y servicios de interés.
Al continuar con la navegación, entendemos que se acepta nuestra política de cookies.


(Total de votos recibidos 0)

(Puntuación 0)

French w. Spanish s/t

France | 2017 | 98 min
Director: Mathieu Amalric
Script: Mathieu Amalric, Philippe Di Folco, Renaud Legrand, Pierre León
Cinematography: Christophe Beaucarne
Cast: Jeanne Balibar, Mathieu Amalric, Vincent Peirani, Fanny Imber, Aurore Clément, Grégoire Colin
  • Festival de Cannes : Un Certain Regard
  • César Award : Best Actress (Jeanne Balibar) and Best Sound
  • Seville Film Festival: Best Direction
  • Jean Vigo Award
  • Louis-Delluc Award: Best French Film

Actor Mathieu Amalric delivers a new jewel as a director, starred by Jeanne Balibar and winning two César Awards (including Best Main Actress), and the award for best narrative poetry at Festival de Cannes. Brigitte, an internationally renowned actress, arrives at Paris to participate in a film about iconic French singer Barbara. As the days go on, reality and fiction mix for the filming crew and Brigitte herself.

(…) a first class cinematographic exercise, complex, multifaceted, immense, meta-fictional, solved with an ease and professionalism reminiscent of masters like Truffaut or Godard. After watching, fascination, impact, immanence of several personalities and feelings and sensations linger on. Ignasi Juliachs (La Vanguardia)

A pointillist film, proposed an original biographical outline (…) A stimulating proposal where Amalric establishes a paradoxical game of mirrors, Chinese boxes, cinema inside cinema and much more (…) Alberto Bermejo (El Mundo)

Amalric, between Barbara and Balibar, demonstrates again his personality as a director. He is not an international with a whim to direct. Quim Casas (El Periódico)

Barbara is, like its main character’s songs, a vital, atmospheric, dreamlike film subject to constant changes. Sharp, mobile and poignant, like life itself. Javier Ocaña (El País)